Marching Mocs

The choice of method of music education for your child is an important decision. You can not just their own ideas or those of your friends to make the decision. There are two methods of teaching music is to first examine and compare the advantages and disadvantages: the music school and private music lessons.
The most important criterion for decision making is the call of music teachers. In a music school, you can the teacher. They shall comply with the recommendation of the Executive Board that manages slots, each teacher at the latest.
Now consider the advantages of private music lessons. The first advantage is of course that you choose the music teacher for your child.  The second advantage is that you choose to study where. Most parents prefer the convenience of learning at home for the child and can play music without restraint. Tutors come to your home to teach the child.  This is especially helpful when children play their own instruments such as piano and harp and difficulties to be used at the school.
Private music lessons for those who are shy reserve, useful or can not adapt to new environments.
The third advantage of a private music instructor courses are scheduled at your convenience.  The fourth advantage is that you learn music theory in depth. Who plays a musical instrument knows how important it is to learn the theory, but can not easily be any kind of musician.

With a music teacher, you can learn the theory at their own pace. The theory is an expensive exercise in music schools, but the tutors charge less for their services and sometimes the basic concepts on the regular rates. Teachers can teach the basic theory of music, but later when the child has to learn harmony, you have a professor who specializes in it rent.  Finally, the benefit of one fifth of private music lessons, the flexibility in teaching music. Every child is different and has its own musical abilities. But the music schools have a common agenda, not to individual needs. The teachers are happy to be flexible in their approach and teach the child to your specific needs.  But at the end of the day when your child has a talent for music will grow rapidly from place to study independently. Musically inclined children are more likely to be great artists and teachers are always happy to have these children in their care.

If you’ve read my previous articles, you already know about the advantage of music education for children and how your child will benefit from voice lessons or playing musical instruments. Today we will cover that invisible motivational power that forces some parents to enroll their children in music education.

I suggest that, before you do this, you define exactly what you want from your children. If you’re happy with the idea, they will likely go along well with it, too. Your moods and thoughts imperceptibly creep into the consciousness of your child every hour and minute of the day. Our little family members consider us, their parents, to be the authority in everything. And some of us manage to maintain that authority through the teen years and even until the end of their lives.

When I was writing “Voices of our Children”, I re-read several old records I had kept from previous years. Many of them detailed conversations I had with parents who brought their children to music school for the first time.

The first meeting among parent, child and teacher is very significant. Everyone gets to know each other and things usually go very well in these introductory stages. But according to available statistics, only 1 percent (!) of parents is convinced at the very beginning that their child will become at least a very good musician. The other 99 percent bring their children with this thought: “Let’s do this and then see what comes of it.”

At one of the large conferences for music teachers organized by the Ministry of Culture of Russia in the Far East, I heard a phrase from one of the speakers that particularly drew my attention. He said: “It is a pity that those who are not as dedicated to music education do not hold conferences like these. Imagine how many mistakes could have been avoided during lessons?”

Whatever a person does for a living, in order for him to make a difference, he must have a passion and true zest for what he does. The child is not an exception. Parents know perfectly well that if their child is interested in something, he persistently asks for it. And no one will deny that a child’s true interest in music is a must during lessons and practice homework. So, it’s integral that parents are highly cognizant of their children’s thoughts.

You may be thinking, “Is it really necessary for my child to study with constant interest; that is, with pleasure, all the time?” That’s a good question, because sometimes it is necessary to forget your “wants” and tune in to your child’s natural attraction to (or away from) music.

And certainly, every one of us must struggle and strain and make ourselves do something – even those things that we are passionate about. But this only occurs occasionally. If you force yourself to play music time and time again, you will slip into depression and possibly lose interest in everything, in addition to the dread of practicing homework, etc.

It is impossible to compare the mentality of an adult with that of a child and use yourself as an example, saying something like, “I too do not want to go for work; however, I do.” In comparison to children, our life experience is much larger and our attitude to specific events is far more stable. In other words, we must work in order to make a living; to stay alive! Children do not have to play music to stay alive. So, these are two very different life experiences, and it amazes me that parents sometimes just don’t see it that way.

So if you think it’s time to force your child to prepare for music lessons, by all means do it, but do not make a habit out of it – and if your child is happy with every second lesson, it would be great to make sure that he constantly studies with interest. How can you do this? Hopefully, by finding a very good teacher who, in due time will suggest different ways of working with your child on a distinctly individual basis. It is only through cooperation with the teacher you can constantly promote and support your child’s interest in music. If the options the teacher offers do not work, then make the necessary conclusions and modifications.

Where do parents get the information on how other children are doing at music lessons or prepare for them at home? Is it possible to read about it in books? Can you get the information in libraries?

Certainly, those are good resources, but you don’t have to go that far, necessarily. Parents can hear about this from their child’s teacher. A good teacher of music will openly and happily tell you about other students’ experiences. But the main “news source” for parents is deceptively simple: other parents! The parental exchange of information is invaluable in that they can share stories that happened to their child, and vice versa. This makes it easier for Mom and Dad to compare the achievements of their own children to others. This is where they learn about difficulties in music education, such as when children immediately or gradually lose the interest and desire to study.

Unfortunately for parents, however, this exchange of information and/or the recognition that their child might be losing interest occurs too late, and no one can clearly explain to them the real reasons the child’s interest vanished. And without finding a “quick fix” or a solution to this problem, again, your chances of re-enrolling your child are slim, because he isn’t going to be interested in it! Also, by this time, the next group of parents step into the same “puddle,” and as a result, your child will never complete music education. “What can I do, then?” you ask. I suggest that you learn and try to understand what not to do.